The Couple Next Door. Crimson Lake. Never Never.
The Girl of His Dreams : (Brunetti 17)
James Patterson , Candice Fox. I Am Pilgrim. The President is Missing. President Bill Clinton , James Patterson. Case Histories. Silence Of The Lambs. The Second Sleep. The Cabin. The Warehouse. The Whisper Man. Ice Cold Heart. About Face Donna Leon.
Brunetti Mysteries: The Girl of His Dreams (Sn 1 Ep 17) - Season 1 - MHz Choice
A Question of Belief Donna Leon. Through a Glass Darkly Donna Leon. A Noble Radiance Donna Leon. Fatal Remedies Donna Leon. Doctored Evidence Donna Leon. Uniform Justice Donna Leon. Suffer the Little Children Donna Leon. Drawing Conclusions Donna Leon. Beastly Things Donna Leon.
Review Text "Andrew Sachs brings his customary warm intelligence to this powerful story of a particularly cynical murder. By the end, we can identify the villain but murky political shenanigans will prevent justice from being done. It is sobering, and rings true" show more. Review quote "Andrew Sachs brings his customary warm intelligence to this powerful story of a particularly cynical murder. She is an award-winning crime novelist, celebrated for the bestselling Brunetti series. Donna has lived in Venice for thirty years and previously lived in Switzerland, Saudi Arabia, Iran and China, where she worked as a teacher.
Donna's books have been translated into 35 languages and have been published around the world. His grandfather's older brother had still been alive then, he remembered, and had walked behind the casket, in this same cemetery, under these same trees, behind a priest who must have been reciting the same prayers. Brunetti remembered that the old man had brought a clod of earth from his farm on the outskirts of Dolo — long gone now and paved over by the autostrada and the factories.
- Shop by category!
- Young Ad Skeptics!
- Account Options;
- Experiments in Second-Language Learning?
- The Girl of His Dreams (Guido Brunetti Series #17)!
- The Wives of the Prophet Muhammad, Their strives and Their Lives.
He recalled the way his great-uncle had taken his handkerchief from his pocket as they stood silently around the open grave as the coffin was lowered into it. And he remembered the way the old man — he must have been ninety, if a day — had folded back the fabric and taken out a small clod of earth and dropped it on to the top of the coffin. That gesture remained one of the haunting memories of his childhood, for he never understood why the old man had brought his own soil, nor had anyone in the family ever been able to explain it to him.
He wondered, standing there now, whether the whole scene could have been nothing more than the imagination of an overwrought child, struck into silence by the sight of most of the people he knew shrouded in black and by the confusion that had resulted from his mother's attempt to explain to his six-year-old self what death was.
She knew now, he supposed. Or not. Brunetti was prone to believe that the awfulness of death lay precisely in the absence of consciousness, that the dead ceased to know, ceased to understand, ceased to anything. His early life had been filled with myth: the little Lord Jesus asleep in his bed, the resurrection of the flesh, a better world for the good and faithful to go to. His father, however, had never believed: that had been one of the constants of Brunetti's childhood.
He was a silent non-believer who made no comment on his wife's evident faith. He never went to church, absented himself when the priest came to bless the house, did not attend his children's baptisms, first communions, or confirmations. When asked about the subject, the elder Brunetti muttered, ' Sciocchezze, ' or ' Roba da donne ', and did not pursue the topic, leaving his two sons to follow him if they wanted in the conviction that religious observation was the foolish business of women, or the business of foolish women.
But they'd got him in the end, Brunetti reflected. A priest had gone into his room in the Ospedale Civile and given the dying Brunetti the last rites, and a mass had been said over his body. Perhaps all of this had been done to console his wife. Brunetti had seen enough of death to know what a great comfort faith can be to those left behind. Perhaps this had been in the back of his mind during one of the last conversations he had with his mother, well, one of the last lucid ones. She had still been living at home, but already her sons had had to hire the daughter of a neighbour to come and spend the days with her, and then the nights.
In that last year, before she had slipped away from them entirely and into the world where she had spent her last years, she had stopped praying. Her rosary, once so treasured, had gone; the crucifix had disappeared from beside her bed; and she had stopped attending Mass, though the young woman from downstairs often asked her if she would like to go.
She had stuck with this answer until the young woman, and then the Brunetti family, stopped asking. It did not put an end to their curiosity about her state of mind, only to its outward manifestation. As time passed, her behaviour became more alarming: she had days when she did not recognize either of her sons and other days when she did and talked quite happily about her neighbours and their children.
Then the proportion shifted, and soon the days when she knew her sons or remembered that she had neighbours grew fewer. On one of those last days, a bitter winter day six years before, Brunetti had gone to see her in the late afternoon, for tea and for the small cakes she had baked that morning. It was by chance that she had baked the cakes; really she had been told three times that he was coming, but she had not remembered. As they sat and sipped, she described a pair of shoes she had seen in a shop window the day before and had decided she would like to buy.
Brunetti, even though he knew she had not been out of her home for six months, offered to go and get them for her, if she would tell him where the shop was.
Get A Copy
The look she gave him in return was stricken, but she covered it and said that she would prefer to go back herself and try them on to be sure they fitted. She looked down into her teacup after saying that, pretending not to have noticed her lapse of memory. To relieve the tension of the moment, Brunetti had asked, out of the blue, ' Mamma, do you believe all that stuff about heaven and living on after? She raised her eyes to look at her younger son, and he noticed how clouded the iris had become.
She took a small sip of tea and leaned forward to set her cup in her saucer. She pushed herself back: she always sat up very straight, right to the end. She smiled then, the smile she always used when Guido asked one of his questions, the ones that were so hard to answer. He felt Paola stop beside him, and he came to a halt, pulled back from memory and suddenly attentive to where they were and what was going on.
Off in the corner, in the direction of Murano, there was a tree in blossom. He wasn't sure, didn't know a lot about trees, but he was glad enough of the pink, a colour his mother had always liked, even though it didn't suit her. The dress she wore inside that box was grey, a fine summer wool she had had for years and worn only infrequently, joking that she wanted to keep it to be buried in. The wind suddenly flipped the ends of the priest's purple stole up into the air; he stopped at the side of the grave and waited while the people following drew up in an unruly oval.
This was not the parish priest, the one who had said the Mass, but a classmate of Sergio's who had once been close to the family and who was now a chaplain at the Ospedale Civile. Beside him, a man at least as old as Brunetti's mother held up a brass cup from which the priest took the dripping aspergill. Praying in a voice that only the people nearest to him could hear, he walked around the coffin, sprinkling it with holy water. The priest had to be careful where he placed his feet among the floral wreaths propped against their wooden frames on both sides of the grave, messages of love spelled out in golden letters across the ribbons that draped them.
Brunetti looked past the priest, back towards the tree. Another gust of wind slipped over the wall and ruffled the pink blossoms. A cloud of petals broke loose and danced up into the air, then fell slowly to the earth, surrounding the trunk in a pink areola. A bird started to sing from somewhere inside the remaining blossoms. Brunetti pulled his arm free from Paola's and wiped his eyes with the inside of the sleeve of his jacket. When he opened them, another blossom cloud was flying up from the tree; his tears doubled it in size until nothing but a pink haze filled the horizon.
Paola grabbed his hand and squeezed it, leaving behind a light blue handkerchief. Brunetti blew his nose and wiped at his eyes, crushed the handkerchief in his right hand and stuffed it into the pocket of his jacket.
Chiara moved up on his other side and took his hand. She held on while the words were said, prayers spoken up to the wind, and the workmen stepped forward on either side of the grave to lift the cords and lower the box into the ground. Brunetti had a moment of complete dislocation and found himself looking for the old man from Dolo, but it was the workers, and not the old man, who tossed earth down on to the coffin.